The Morrigan
Dundalk
Luis G. Martins aka L7matrix was only 13 when he first met spray paints. This experience has opened the door for many upcoming experiments that artist named L7matrix was about to perform.
While exploring mixtures for his work, Luis tried many techniques and finally created his unique approach by using china ink, varnish, soft pastel, oil pastel and acrylic.
The winning combination of realism and abstraction, brought closer together in Luis’ artwork, creates a melting pot of emotions, materials and media for viewer’s eyes to enjoy. L7matrix’s artistic skill is filled with all known human emotions and city’s jumble, blend roughness with elegance, in order to transmit the concept of empathy for the surroundings. Luis rarely listens to music while working, instead, he likes to blend in with the ambiance, listening to every sound it creates.
THE STORY
The Celtic goddess Morrigan, known for her association with war and death, is depicted in this mural as she shapeshifts and transform into the Crow (Badh).
She is mainly associated with war and fate, especially with foretelling doom, death, or victory in battle. She often appears as a Crow, the ‘Badh’ in this role. She incites warriors to battle and can help bring about victory over their enemies. The Morrigan encourages warriors to do brave deeds, strikes fear into their enemies, and is portrayed washing the bloodstained clothes of those fated to die. The Morrigan is often described as a trio of individuals, all sisters called the three Morrígna. She is also associated with the Banshee of later folklore. In one version of Cúchulainn’s death tale as Cúchulainn rides to meet his enemies, he encounters the Morrígan as a hag washing his bloody armour in a ford, an omen of his death. Later in the story, mortally wounded, Cúchulainn ties himself to the standing stone at Rathiddy, Knockbridge with his own entrails so he can die upright, and it is only when the “Crow Morrigan” lands on his shoulder that his enemies believe he is dead.